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Li remained an advocate of independence for the trade unions, which brought him into conflict with Mao. He was the Vice Chairman of the All-China Federation of Trade Unions until 1958 and the first president of China Institute of Industrial Relations.
15.05.2007, 16.49 Uhr
"What is your name?" the Great Helmsman asked a young student as she pinned a Red Guard armband on him in front of the Gate of Heavenly Peace. "Song Binbin," she responded enthusiastically. The name her parents chose meant "properly raised" and "polite," qualities that Mao Zedong found unappealing. "Be violent!" he ordered the girl. A short time later she changed her first name to Yaowu, or "Be Violent."
It was Aug. 18, 1966 and the 72-year-old Chinese leader had called male and female students to assemble on Beijing's Square of Heavenly Peace to launch his Great Proletarian Cultural Revolution. Hundreds of thousands waved Mao's little red book and cheered the old man.
Mao's call to violence fell on willing ears among many young people. Thirteen days earlier Song, 19 at the time, was presumably present when the female students at her school, which was part of the Beijing Teachers University, killed their teacher, Bian Zhongyun. The girls brutally beat the 50-year-old woman to death using wooden sticks spiked with nails. On the day before the killing, members of the Red Guard had already maltreated the teacher, who was the party leader at the school -- they suddenly viewed her as a "counter-revolutionary revisionist" who they believed had gambled away her life.
Bian went down in history as the first victim of the Cultural Revolution -- the bloody mass movement Mao used to eliminate his enemies within the party. The teacher's murder was followed by the killings of millions of Chinese people. The ten-year campaign destroyed entire families, irreplaceable cultural treasures and centuries-old traditions. In August 1966 alone, about 100 teachers were murdered by their own students in the western section of Beijing.
'She Believed that She Was Innocent'
Independent filmmaker has now traced the grim events at Bian's school in great detail in a new documentary entitled: "Though I Am Gone."
One of the main characters in Hu's film is the murdered woman's husband, 85-year-old Wang Qingyao. "She sacrificed herself as if she were refusing to lose her dignity," the old man explains. Shortly before his wife died, says Wang, he tried to convince her to flee, but she refused. "She believed that she was innocent," says Wang.
Most Chinese people will never get to see Hu's historical work. The Chinese Communist Party has continued to keep silent about this chapter of its history. In 2006, the 40th anniversary of the beginning of the Cultural Revolution, it instructed academics, artists and journalists to simply ignore the topic.
This was probably the reason the authorities recently cancelled the Multiculture Visual Festival in the southern province of Yunnan, an event where director Hu had planned to screen his documentary. Despite the cancellation, the film is available on YouTube, where it is cut into 10 segments -- although late last week the film was banned in China. Hu, a military painter by trade, is used to these kinds of difficulties. When he filmed an earlier documentary about another Mao victim ("In Search of the Soul of Lin Zhao"), he lost his job with Xinhua, the official Chinese news agency.
But what is a people without memory? Hu asks. "If politicians deny their own history, we simple Chinese should remember. We must continue to make many films about the Cultural Revolution and its massacres."
One of the reasons the Communist Party reacted with such sensitivity to his most recent work is that many of the former members of the Red Guard who attended Bian's middle school were members of the families of high-ranking officials who are still revered today. "Some were daughters, nieces or granddaughters of members of the Politburo," says Wang, the widower featured in the film. "It was essentially a royal school." Yaowu, for example, was the daughter of a senior Communist Party official. The students also included Deng Rong, daughter of the later Communist Party patriarch and economic reformer Deng Xiaoping, as well as Liu Tingting, a daughter of former President Liu Shaoqi.
The families of most members of the Red Guard later became victims of the Cultural Revolution themselves. Radical comrades drove Deng out of office, and his song Pufang was forced to jump from a window and has been paraplegic ever since. Liu died a miserable death in prison in 1969.
Their daughters, former Red Guard members Deng and Liu, are businesswomen today, while Song Binbin, a.k.a. Yaowu, now works as an environmental researcher in Boston. In a US documentary about the Cultural Revolution, she denied any involvement in the murder of her teacher. "I was always opposed to violence," she said, adding that the People's Daily, the Communist Party paper, had forced the name Yaowu upon her.
The Cultural Revolution has never been dealt with officially, nor has there been any debate over culpability and collaboration. With the exception of the "Gang of Four," which included Mao's widow, Jiang Qing, no high-ranking politicians were ever put on trial.
Bian's husband has never quite got over his wife's murder. He has even saved her bloody clothing and shows them in the film, but he is likely to be left alone with his memories. The authorities have turned down his request to have a memorial plaque installed in the schoolyard.
China - 2500 Jahre Entdeckungsreise vom Altertum bis ins 20. Jahrhundert Copyright: Frederking & Thaler Verlag Das sagenhafte Reich der Mitte zog seit der Antike viele Reisende magisch an. Griechische Kaufleute kamen wegen der berühmten Seide, irische Mönche drangen bis in die Weiten der Mongolei vor, portugiesische Seefahrer schufen die ersten westlichen Handelsniederlassungen und Entdecker wie Sven Hedin begeistern bis heute ihre Leser mit abenteuerlichen Berichten von einer faszinierenden Kultur. Illustriert ausschließlich durch zeitgenössische Stiche, Zeichnungen und Malerei erzählt dieser opulente Band die wechselvolle und spannende Geschichte von 2500 Jahren Begegnung zwischen Ost und West. 2500 Jahre Begegnung mit dem Reich der Mitte: Pilger, Kaufleute, Missionare, Eroberer und Diplomaten - sie alle zogen aus, das ferne Land im Osten zu erkunden, um das sich bis heute viele Legenden ranken. Dennoch blieb China dem Abendland auch in den drei Jahrhunderten fremd, die auf die ersten Handelskontakte der Portugiesen im 16. Jahrhundert folgten. Doch die Neugierde der westlichen Welt konnte besonders durch die Missionare des Jesuitenordens geweckt werden, chinesisches Porzellan und Malerei fanden viele Bewunderer, und China wurde an den europäischen Höfen salonfähig. Im 19. Jahrhundert bedingten Industrielle Revolution und die politischen Interessen der Großmächte eine neue Form der Begegnung zwischen West und Ost. Die Briten zwangen das Reich der Mitte, seine Häfen für den Handel und den Opiumimport zu öffnen. 1860 hatten die Europäer faktisch die Macht in China übernommen und blieben dort bis zum Fall der Mandschu-Dynastie zu Beginn des 20. Jahrhunderts und dem Ende des Himmlischen Kaiserreiches. Der vorliegende Band beruht auf zahlreichen, bislang unveröffentlichten historischen Dokumenten und faszinierenden Bildern unterschiedlicher Epochen. Er beschreibt die schwierige Kontaktaufnahme Europas mit China von den ersten vorsichtigen Handelsverbindungen in der Antike über das Zeitalter des Kolonialismus bis hin zum Fall des Reiches und den Anfangen der maoistischen Revolution in China. Das Buch zollt der Geschichte Tribut, zugleich und vor allem aber auch der Kunst und Kreativität der Chinesen, deren einzigartige Kultur und unverwechselbarer Stil in vielen der hier abgebildeten Meisterwerke zutage tritt. Gianni Guadalupi China 336 Seiten / 600 Farbfotos 25,5 x 35,5 cm ISBN 3-89405-475-1
As China emerges as a great power, much attention has been devoted to understanding China’s present and prospective foreign affairs. With the rise of nationalism in China, policymakers have begun to worry about whether the Chinese leadership will adopt a more assertive nationalistic posture in foreign affairs. Zheng Wang uses recollections and representations of past historical events shared by the Chinese to emphasize that the understanding of the past impacts the present and the future. This book is less about Bwhat actually happened^ in history, but about Bwhat the Chinese remember and what they choose to forget^ in a recounting of the country’s past. It seeks to explain China’s political transition and foreign policy behavior in the post-Tiananmen era through the lens of historical memory. This study makes a valuable contribution to examining the function of historical memory and consciousness in Chinese politics and foreign relations. In this book, historical memory is identified as a powerful force in the formation of a country’s national identity and worldview. National identity is viewed as a key determinant for national interests, which in turn are considered as a driving force behind foreign policy and state action. As indicated in the title, this book primarily focuses on the Chinese people’s collective historical memory about the so-called Bainian guochi (century of national humiliation) beginning with the First Opium War (1839–1842) through the end of the Sino-Japanese War in 1945. The Chinese people remember this period as a time when their country was attacked and bullied by foreign powers. Wang examines how the Chinese historical memory about the country’s past humiliation, combined with the Communist leaders’ political use of the past to reshape national identity, influenced China’s political transformation and international behavior. To conduct this research, the author applies an in-depth qualitative and historical approach, using evidence gathered from historical textbooks, official documents, memoirs, and interviews. Based on the existing literature on historical memory and theories of identity and beliefs, the first chapter of the book develops two analytical frameworks that help to categorize and measure the effects of historical memory. Adopting the Harvard Identity Project model and social identity theory, the first analytical framework provides a method to measure the content of historical memory as a collective identity. The second one provides a set of questions categorizing causal pathways in which collective identity serves to influence political actions. Based on the analytical frameworks, the next five chapters explore the role of historical memory in the construction of national identity and nation building, with each chapter dealing with a different aspect of historical memory issues. Starting with an overview of China’s century of national humiliation in Chapter 2, the following chapters examine how the discourse of China’s humiliating modern history has been revised and institutionalized in the Chinese Communist Party’s efforts to construct the rules and norms of the ruling party. In particular, they provide a detailed account of how the Chinese government has used the content of historical memory to conduct ideological education as a central component of its patriotic education campaign that started in 1991. Wang argues that the state-led campaign of patriotic education contributed to the rise of nationalism in China which helped the Communist government to regain its legitimacy in the post-Tiananmen era. In Chapter 6, the author uses the historical memory variable to explain Chinese behavior during the Olympic Games and the Sichuan earthquake relief effort in 2008. Chapter 7 and 8 present case studies examining the impact of China’s institutionalized historical consciousness on its foreign relations, especially in relations with the United States and Japan. Based on these case studies, the author claims that historical memory often serves as a major driving force leading to international conflict, especially when the confrontation is perceived by the Chinese as an assault on the country’s national dignity (or face). Ideational factors including historical memory have been underestimated in the study of politics and international relations due to the difficulties in incorporating cognitive variables into empirical research. This book makes a significant contribution to providing researchers with analytical frameworks and methodological approaches for a systemic examination concerning the use of historical memory as a variable to explain political action. Therefore, I believe a wide range of readers with interests in China’s historical memory, national identity, nationalism and foreign relations will gain useful insights from this intriguing book
Su-Jeong Kang
Scholars studying China are quite familiar with themes like national humiliation, nationalism as a new source of regime legitimacy vis-à-vis communism, and China’s anti-US and anti-Japan polemic. Zheng Wang’s book Never Forget National Humiliation captures the interrelated nature of these themes in a skilful manner and is a valuable addition to the study of Chinese nationalism. Wang analyses the commonly shared thinking of the Chinese about their place in the world and their view of how the world sees them (p. xii). His analysis attempts to explain the ultimate aim and implications of China’s rise. He underscores that China’s ‘historical consciousness’ revolves around ‘myth’ and ‘trauma’—the dominant features of China’s contemporary national thinking shaping its national identity. The ‘historical consciousness’ defines its national interests and tunes its motivations behind its international interactions, and is necessary to understand China’s present foreign policy. Thus, the author discusses two variables in this context: historical consciousness and national identity in China’s contemporary foreign policy. The central question of the book is how the Chinese, particularly the youth, have come to be ranked ‘among the most patriotic’ and ‘establishment supporting’, from the earlier Mao’s Red Guards and later ‘the anti-dictatorship Tiananmen Generation’ of the 1980s (pp. 1–2). Answering the question, the book discusses the communist regime’s cultivation of a new national identity from 1991 onwards, based on ethnic patriotism. This would be done by constructing a new historical consciousness, through government interventions, that strengthens the Chinese Communist Party (CCP)’s legitimacy. The book describes the Chinese government’s selective but systematic usage of memories to fulfil its legitimacy requirements and create the kind of nation it wants (pp. 6–7). Wang points out that the Chosenness-Myths-Trauma (CMT) complex, which the regime has carefully created over the past two decades, constitutes China’s contemporary mainstream historical consciousness. The CMT contains belief in the ancient glory of China—belief in divine chosenness, cultural superiority and a civilisation boundless (best expressed in the concept of 天下 Tianxia, ‘the realm under heaven’) (pp. 42–43)—and memories of China’s defeat at the hands of foreign powers after the first Opium War (1839–42) until 1945, when the Japanese withdrew from China after a prolonged Sino-Japanese war. In the CMT complex, China’s earlier defeats are ignored as the invaders at that time, the barbarians, became civilised by assimilating with the Chinese culture. The invaders, the devils, after the first Opium War, knockeddown Tianxia. Similarly, other tragedies—those pertaining to the civil war or the catastrophic famine in the late 1950s or the political tragedy of the Cultural Revolution—are ignored by the CCP. Thus, only the selective simulation of the defeats and consequent unequal treaties during the said period make up the traumas in CMT. While the remembrance of the ancient mythical or historical glories boosts Chinese society’s self-esteem, the selective traumas seek to ‘mourn and/or reverse’ national humiliation and contribute to forming a strong national identity (p. 68). Wang describes the contemporary patriotic surge in China’s textbooks and entertainment industry as the post-Tiananmen development. He reminds us that in spite of occasional sharing of political slogans in their joint fight against the warlords and the Japanese invasion, the CCP generally used class-oriented language describing China’s humiliation as part of a global trend, unlike its narrative today. Conversely, the Kuomintang (KMT) spoke essentially a Confucian nationalist language. Later, the communists produced a ‘victor discourse’ and the narrative of history full of socialist idioms after 1949 in which, as Wang underscores, ethnic patriotism was absent (pp. 82–91). The class distinction defined the political identity of the People’s Republic of China (PRC) as representing only the workers and peasants, discarding ethnicity during the Maoist era. Ethnic patriotism found no sympathy in Mao’s internationalism and ‘progressive’ China. For them, the Chinese civil war and the Japanese and other foreign aggressions were class wars. Moreover, the communists’ ‘victor’ sense after 1949 and their claim of liberating China from the hands of oppressors—their source of legitimacy—had no place for stories on national humiliation. Besides, the CCP was not in a position to ratchet up their claims about the victory over the Japanese beyond a certain point, as the hard fact was that it was the KMT, whom the communists shunned, that essentially fought the war against the Japanese (pp. 86–88). Consequently, the National Library of China had ‘no books on the subject of “national humiliation” published in China between 1947–90’. The Maoist era ‘consciously suppressed’ the ‘historiography of the Nanjing Massacre’ (p. 86). The 1989 Tiananmen episode symbolised the culmination of the ideological crisis of the official socialist ideology losing sync with the changing economic orientation of China. The crisis had been building up since the late 1970s. Deng Xioping accepted that ‘[t]he biggest mistake for the CCP in the 1980s was that the party did not focus enough attention on ideological education … we did not tell them about what China was like in the old days and what kind of a country it was to become’ (p. 96). China needed a new ideology. In the light of Deng’s guiding directive, Jiang Zemin undertook a massive project to rewrite the textbooks of history, to create a new historical narrative and to introduce a new curriculum in order to overhaul China’s political and ideological education (pp. 100–104). Wang argues that Jiang, who is mainly known for his successes on the economic and foreign policy fronts, implemented a silent revolution in the educational arena, which is his most enduring legacy (p. 136). Jiang transformed Mao’s ‘victor’ China into ‘the victim’ China. The old narrative of the Sino-Japanese war being a class war was changed to an international ethnic conflict with ‘considerable credit to the KMT’s military resistance’ (p. 102). Now the claim of legitimacy for the CCP is that it ended the era of national humiliation and unequal treaty, not the liberation. The Chinese state has employed various instruments such as rewriting the textbooks, making history a compulsory subject for students in various ways, subsidising and promoting movies and television serials based on war themes and building monuments for war heroes to sell its version of history. Evoking memories of the Sino-Japanese war by the leaders has become fashionable. According to Wang, the aim of all this is to ‘rejuvenate China’, which for many Chinese means reclaiming ancient glory, not aspiring to anything new. This massive exercise has not only established nationalism as a new source of legitimacy but has redefined the role of the CCP too. Jiang’s ‘Three Represents’ principle (‘advanced productive forces, advanced Chinese culture and the fundamental interests of the majority’) signifies the end of the class character of the Chinese state for many. The author points out that the success of the project was witnessed during the Beijing Olympics in 2008 when the patriotic demonstrations by the overseas Chinese, particularly by students abroad, overwhelmed and outperformed pro-Tibet and other pro-human rights demonstrations in the backdrop of the Olympic Torch relay to Beijing. Wang identified the 1995–96 Taiwan Strait Crisis, the 1999 NATO bombing of the Chinese Embassy in Yugoslavia and the EP-3 incident in 2001 as the three major incidents after the end of the Cold War in which China’s reaction had direct links with the nationalism project it had undertaken in the 1990s. He argues that in view of the US’s conciliatory approach, China’s reaction was disproportionate and not normal during these episodes. He is of the view that China exploited these incidents to ‘activate’ the memories of past injustice by foreigners. His core argument is that ‘emergency (accident or unexpected events) incidents that cause Chinese suffering and a dispute with a country that historically has had troubles with China’ provide an opportunity to ‘activate Chinese historical memory’ (p. 200). China’s insistence on seeking apology—for example in the case of the EP-3 incident from the US and from Japan about the atrocities committed on the Chinese during its invasion of China and about the Japanese history textbooks—serves its victim righteousness and satisfies the moral superiority as part of its nationalism project. Wang cautions that the kind of anti-foreign nationalist path China has chosen to tread is quite dangerous. It does help the regime to keep its authority legitimate and stable by avoiding internal political animosity, but it can also create complications in policy making. Sometimes, mass hysteria about past injustices may not recognise its limits and may build a momentum of its own, beyond CCP control (p. 191). In conclusion, the book is illuminating, engrossing and highly recommendable. It is a high-quality scholarly work that very lucidly unravels many entwined themes and does full justice to the subject it discusses.
Prashant Kumar Singh
Why did the Chinese government escalate some international crises, such as the 1999 US bombing of the Chinese embassy in Belgrade, and not others, like the 1998 attacks on ethnic Chinese in Indonesia? Why did Chinese youth go from standing in front of tanks in 1989 to becoming the country’s staunchest patriots defending the 2008 Olympic flame in capital cities around the world? Zheng Wang’s book, Never Forget National Humiliation, looks at a particular dimension of China’s socio-political culturehistorical memory, to solve a number of puzzles about the country’s international and domestic politics that the mainstream, realist tradition of International Relations theory has a hard time explaining. Combining insights from the liberal and constructivist traditions, Wang examines Chinese foreign and domestic policies since Jiang Zemin’s ‘patriotic turn’ in the 1990s. Employing historical memory as the main explanatory variable, Wang’s analysis identifies the causal relationship between China’s official historical narrative, the country’s collective identity construction and its foreign policy. The stated aim of the book is to delineate with precision the extent to which ideational factors bring about conflict behaviours. Wang’s original theoretical framework directly links identity to political outcomes, locating three causal pathways in which ideational factors influence policy behaviour: as road maps, as focal points and as institutions. Although this framework heavily draws on insights that most constructivist and Foreign Policy Analysis (FPA) approaches have already incorporated, namely how cognitive constraints and biases can affect foreign policy-makers, Wang distinguishes himself by giving pride of place to memory. Examining the impact of historical memory and identity on cognition allows him to make sense of some otherwise puzzling instances of Chinese foreign behaviour like the ones mentioned above. Wang’s analysis of how China chooses to remember its past has great relevance for the present. It sheds light on topical questions about the political implications of national historiography, and the role that history education plays in a country’s domestic and foreign relations. Wang offers a map of the meanderings of Chinese historical memory, illustrating the Chinese Communist Party’s ideological evolution from communism to nationalism over the course of the last three decades. This transformation is set against a broader background of the change in China’s self-image during its millenary history.
The book details China’s Patriotic Education Campaign since the early 1990s and through to its latest developments in the twenty-first century, focusing on the content and objectives of the history curriculum. Wang sees historical memory both as a trigger of the country’s nationalistic education and as its product, placing it at the heart of China’s search for identity as a nation-state. His approach to the study of nationalism has both advantages and disadvantages. On the positive side, Wang accounts for several of the dimensions of Chinese nationalism and avoids the classic top-down bottom-up dichotomy, by describing it not only instrumentally as a state-led ideology or political technique but also as a sentiment pervading civil society and originating from shared memories. Regrettably, the discussion occasionally suffers from a rather muddled understanding of the main terms used in nationalism studies. This severely undermines Wang’s attempt to redefine Chinese nationalism in the last chapter. Nonetheless, overall the discussion remains pertinent, empirically accurate and illuminating. The book benefits from research in primary sources ranging from educational texts and official documents to cultural and popular material, introducing new material to the English-speaking academic debate. Cases are cogently argued and empirically substantiated. An instance of this is the discussion of the change in the description of well-known historical figures reflecting an official change in historical perspectives: General Zuo Zongtang of the Qing dynasty went from being a peasant-suppressing devil in the old textbooks to being a foreign-defeating hero in the new ones. Never Forget National Humiliation appeals to a broad readership, ranging from scholars and students of international relations, nationalism and history, to policymakers and anyone interested in the internal workings of China’s worldview. Accessible to non-specialists thanks to its clarity, Wang’s book does at the same time provide a rigorous contribution to the theoretical debate about the role of national identity in shaping political outcomes. Finally, the book takes on an advocacy position in the controversial debate of textbook writing in East Asia. Describing China’s ‘deep culture’ of national humiliation as articulated in a narrative of chosen myths and traumas, Wang’s book explores the genesis of a self-victimising historical narrative. Far from endorsing it, the book promotes changes in the intellectual discourse on history so that the power of collective memory can foster reconciliation and understanding between China and other countries, especially Japan and the US, rather than conflict. This element of idealism rests on Wang’s solid background in conflict resolution, which lends credence to the book’s proposed ways to deflate the nationalistic animosities currently destabilising China, its region and the world.
Never Forget National Humiliation: Historical Memory in Chinese Politics and Foreign Relations, by Zheng Wang
It focuses on the teaching of modern history in schools, which emphasizes China as the victim of foreign imperialist bullying during the so-called “one hundred years of humiliation” from the Opium War (1839–42) to the Communist victory in 1949. The primary aim of this manipulated historical consciousness is to glorify the Chinese Communists, who drove out the imperialists, but whose image was badly damaged by their crackdown on student protests on 4 June 1989. The secondary aim is to promote anti-Western nationalism, hoping to consolidate national identity and justify one-Party rule. Zheng Wang finds that this manipulated historical consciousness now directs political discourse at home and foreign policy abroad, laying the foundations for China’s rise.
The book puts its case in nine chapters. The first reviews the existing studies on the concepts of historical memory, identity and politics. In Chapter 2, “Chosen Glory, Chosen Trauma”, the Opium War heralds the Century of Humiliation, while Chapter 3 traces China’s mighty fall from its self-perceived status as the Centre of the World to its resurgence during the Mao era. The fourth chapter describes China’s need to resort to a patriotic education campaign to hold the nation together; Chapter 5 discusses the attempt to salvage a Communist Party badly tarnished by the events in Tiananmen Square on 4 June 1989. Chapter 6 dwells on the use of the 2008 Sichuan earthquake as a new trauma and the Beijing Olympics as a new glory to bind the nation together. Chapter 7 turns to the utilization of national[ist] history in China’s relations with foreign countries; Chapter 8 discusses relations with Japan; and Chapter 9 concludes with an overview of the use of nationalism, based on selected memory, to foster the so-called China’s Rise. Such a narrative raises more questions than it can provide answers. With regard to foreign policy, the manipulation of historical memory to produce a mentality of victimhood does indeed distract from problems at hand, but can equally generate misunderstandings between China and other nations, with unpredictable consequences. Wang believes that the 1989 protests were about resisting CCP dictatorship, but concludes that manipulation of historical consciousness has succeeded in consolidating one-Party rule, and in fact has intensified Party dictatorship! The students had another major complaint—official corruption—and this has gone from bad to worse, as even the CCP leaders acknowledge. In short, the CCP has only suppressed the symptoms, but not cured the illness. My own research reveals a different dimension to this all-out attempt to suppress the symptoms, and that is that it has encouraged people, first, to further their own interests, and second, not to care about the interests of others (and by implication public interest, so exacerbating problems such as rampant corruption and to many episodes of gross, indeed sometimes grotesque, selfishness recounted by the Chinese media in recent years). If the object of manipulating historical memory has been, as Wang suggests, to build social cohesion, this effort seems to have been remarkably unsuccessful. Indeed, social cohesion and stability are jeopardized by the Chinese authorities’ use of this same manipulated historical consciousness as leverage in both their domestic politics and foreign relations. Once started, however, mass reactions such as street protests often take their own course. In short, the Chinese authorities are sitting on a volcano of their own making. So, where is China going? This is what the powers-that-be care about the least—most of them have sent their children to live overseas, pockets bulging with money. How long that money will last, in the hands of these spoilt princelings, is something that the leaders have not considered. The measures pursued to date in the name of stability may ultimately prove massively counter-productive.
Spelt out in this way, this review is bound to paint a far less rosy picture of the CCP’s future than does the book itself. John Y. Wong University of Sydney
In May 1949, Chen Yun was named head of the new national Central Finance and Economic Commission. In early 1952, Zhou Enlai led a team to draft the first Five-Year Plan which included Chen, Bo Yibo, Li Fuchun and General Nie Rongzhen. Zhou, Chen and Li presented the draft to Soviet experts in Moscow, who rejected it. In early 1953, Gao Gang and the State Planning Commission began work on what would eventually become the final version. After Gao's fall, Chen Yun, Bo Yibo, Li Fuchuan and (later) Li Xiannian would manage the Chinese economy for the next 30+ years.
Chen Yun was elected Party Vice Chairman in 1956.
Throughout the 1950s, Chen was the official who did the most to moderate Mao's radical economic reforms. Looking back, Chen would later believe that it was the Chairman's errors that most kept China from achieving its Five-Year Plans
Had Mao died in 1956, his achievements would have been immortal. Had he died in 1966, he would still have been a great man but flawed. But he died in 1976. Alas, what can one say?
The meaning of this idiomatic expression is to be meticulous and to attend to every detail. This phrase is particularly useful when you want to paint the character in your composition as a highly detailed oriented person. It is a sweet and concise way to describe such a person. A literal translation is: “一丝” referring to a little bit and “不苟” referring to not careless at all. Thus, explaining its meaning.
This idiom essentially means that a person is completely unaware and ignorant about something. 一窍不通 (yīqiàobùtōng) literal meaning is “passing not even one hole” (as “一窍” translates to one hole/opening and “不通” is blocked/impassable).
It is also somewhat like the English expression of “It’s Greek to me”. Students can use this phrase in their Chinese composition when they want to describe characters not understanding how to use computers or just being unable to make any sense of the current situation.
This idiomatic expression is an uncommon one and probably a good one to impress the examiner. This idiom means to touch a soft spot in someone. It can be used when someone said or did something which caused others to suddenly remember an unfortunate past or something unpleasant. It’s literal translation to English is “to pick a kettle that is not boiling”.
This is also yet another idiomatic expression that does not follow the typical 4 characters idiom. This is a great and refreshing idiom for students to use in their composition relating to food, health and fitness! Since Singapore is a food haven, it is highly appropriate to use it to discuss the importance of food in this little red dot. The literal translation of this idiomatic expression is that people view food as their heaven, this highlighting that people place a high priority on food.
This Chinese idiomatic expression suggests that the person which we are referring to is outstanding and excels in whatever he/she is doing. It is useful for students as they can use this idiom to describe a person who is talented in a certain skill. The literal meaning of this meaning in English is translated to this “A crane standing in a flock of chicken”, thus implying that the person is a high achiever and stands out from the rest.
This idiom is used to describe the eureka moment that you have. It means that the person has gained enlightenment to a difficult problem or situation, and he/she suddenly saw the light. It is really helpful when you want to express that the character suddenly thought of a great brilliant idea, this idiom is as commonly used by students, so utilising this in essay would impress your examiner!
This is a rather common idiom which students use, so it is best to know it! This means to love something so much that you are unwilling to let go of it. That is the literal translated meaning as “释手” essentially means to let go, hence the idiom when translated means unwilling to part with the object. This idiom can be used when you would like to describe a child in the toy store being unwilling to put down the toy he saw.
This idiom means that one cannot get both things at the same time, or rather you cannot have the best of both worlds. It came from a longer Chinese idiom “鱼与熊掌不可兼得”, meaning, you are not able to always get everything you want.
This Chinese idiom was derived from the ancient Chinese story of when an old man who lost his horse and yet it brought about good things when the horse came back with another fine horse, giving them good fortune. However, this idiom also depicts that happiness may also bring about misfortune, thus it is a dual meaning proverb.
Essentially, it implies that setbacks are oftentimes a blessing in disguise and not all happiness is long lasting, as it can slowly turn to misfortune. Therefore, it is useful for students to use this to depict events where a misfortune actually has a silver lining!
This idiom is suitable to be used in the beginning of the sentence to signal an impulse or doing certain things on a whim. This phrase is directly translated to “heart blood which comes suddenly” in English. It is used to describe the feeling of desiring to do something on an impulse. Therefore, it is very suitable for students to use this expression to describe somebody’s actions that were prompted by an impulse and the spur of a moment.
This idiom literally translates into giving it your all. It is a highly versatile idiom that can be used in writing or in oral conversations. Possessing a positive connotation which signals a person’s determination to achieve a goal, it is used to describe the actions during the process and not those that have already been completed.
Breaking down this 4 character idiom, we will have “不可” which means cannot and “思议” which means imagine or believe. Hence, this phrase means that something (can be a place, thing or an event) is unbelievable and unimaginable. It can have both positive and negative connotations to indicate that something is noteworthy or marvellous in an unexpected way.
The meaning of this phrase is that “it goes without saying”. It is used to refer to the inevitability of things and it is reasonable should something happen. It is an excellent connector and phrase to start the sentence, replacing the mediocre “当然”.
The literal meaning of this idiom means to talk about the military on paper, which is deemed useless and impractical unless one combines experience and practical skills with it.
This idiomatic phrase originated from a story narrating how the general Zhao Kuo of Zhao Dynasty only studied military strategies and tactics on paper but never practiced it on a battlefield. As such, the lack of practical exercises led to his defeat and failure during the Campaign of Changping.
This idiom explains the meaning of contradicting oneself. “自相” means self and “矛盾” means to contradict. This idiom came about when a man boasted that the spear could penetrate anything, yet he also sold a shield which he claimed that no spear could pierce through it, thus an obvious contradiction. As such, this idiom is suitable for describing paradoxical situations or people who have contradictory opinions.
Now, this string of characters is definitely not the norm. It has more than four characters, but it is still considered an idiomatic expression just that it is a quote from Confucius. This can be a little tough to memorise, so knowing its context and meaning might help a little. Essentially, this is the more complex version of “好久不见” which means “long time no see” in English. This is especially suitable for context when you reunite with your old friends and you would like to express more happiness and positive vibes.
This idiom means to wonder and amaze the world with a brilliant act. It can be used positively to show that the character has surprised people with his success or carry out astounding acts such as displaying one’s dancing or singing talents.
This idiom means the more the better. It can be used in situations when you would like to depict the greater the help, the better the situation. For example, it can be used in compositions where you are describing charity work or to garner support and cooperation, basically a call to action since the more the merrier.
In literal translation from Chinese to English, this idiom means that the person possesses more knowledge than the knowledge combined in 5 books, therefore he or she is steeped in knowledge. It can be used to describe someone noble, or in a high position such as the school’s principal or a famous person in history.
This idiom means to stir trouble or to drive a wedge between people. It is usually used to describe a third party who spread rumors or did something to cause trouble and sow dissension between two people who have established a good relationship.
Learning idioms is by no means an easy task. However, it can be fun and interesting through storytelling and constant revision of the phrases! It is definitely the number one tip to impress your examiners and display your proficiency in Chinese.